In sculpture I have always tried to represent the motion and in architecture I wanted to overcome the limits imposed by the sculpture’s coldness and motionless. The spectator has to become part of the unlimited continuity and variety of the architectonical space, being illusory confused with it
Alessandro Antonelli (1798-1888)
ARCHITECT, PAINTER and SCULPTOR
The decoration of this core is inspired by the gibbs surrounds of San Gregorio Armeno church in Naples (XVI century).
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