In sculpture I have always tried to represent the motion and in architecture I wanted to overcome the limits imposed by the sculpture’s coldness and motionless. The spectator has to become part of the unlimited continuity and variety of the architectonical space, being illusory confused with it
Gian Lorenzo Bernini (1598-1680)
ARCHITECT, PAINTER and SCULPTOR
The decoration of this core is inspired by the fluted pilasters of the Charterhouse Church of San Martino in Naples (XVII century).
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